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Gail Sagman Abstract Painter

3x3 III

3x3 VII

Early Drawig

Feathered Friend 1

Grayscape

Grey Sectioned

Guggenheim I

Guggenheim III

Drawings 3x3 I

Drawings 3x3 IX

Drawings 3x3 V

Linear Resist 1

Linear Resist 2

Linear Resist 3

Linear Resist 4

Linear Resist 5

Madagasca 1

Madagasca 5

Poly III

Appearances I

Appearances II

Appearances III

2nd State

Resist I

Resist VIII

Static Motion

Strangles Series 1

Strangles Series 2

Strangles Series 3

Tonal Test I

Tonal Test II

Tonal Test III

White on White

Zepplin

2 of 3

3 of 3

i of 3

Disco

Broad St Tall

Glossed

Henrys Choice

Last Borivojova

Interim I

Interim II

Map

Monochrome Hanging

Nostalgia

Power Station

Praque Attic

Rosies

Return Splash

Tricolore

Undertone

XLibres

...To take some canvas
to attempt to ‘cause’ some ‘airiness’ with tone/colour
to ‘disturb’ this non-specific with line
to contain it within a rectangle
to increase the limit of that rectangles’ edge
to aim at disregarding the ‘rectangleness’
to ensure the arising form does not ‘sit in a space’
to ensure that a space does not surround a form
to combine them
and to continue
and to continue
until that split second of satisfaction
   where each part begins to be
   ‘seen’ in relation to the whole
and the air
and the space
and the form
become reliant to the point
where non exist as one or the other